OVER BLACK
GULL (voice-over)
I’ve… made mistakes. Terrible
mistakes.
EXT. LONDON
/ AERIAL SHOT – DAY
We see a
shot looking down at London from above. We can see a shadowy dome covers most
of the sprawling city. The ice-choked Thames winds along, disappearing into one
side of the dome and emerging from the other. Snow is falling heavily, and as
the camera ZOOMS IN we
DISSOLVE TO
EXT. LONDON
STREETS / TOWER HAMLETS – NIGHT
Beneath the
shadowy dome, the streets of London are bathed in perpetual darkness. Gas
lights flicker in the streets, and VAMPIRES with shining red eyes stalk through
the gloom. We see doors marked with BLOODY HANDPRINTS and BODIES lying in the
gutters.
GULL (v/o, cont’d)
London has paid the price for my
hubris.
The camera
turns and we see the darkened walls of the TOWER OF LONDON, a great dark bulk
looming over Tower Hamlets.
EXT. TOWER
WALL – NIGHT
From the
tower wall, we see the dimly-lit streets below. Snow swirls through the gloom.
The camera pulls back from the view of Tower Hamlets below to reveal a SHADOWY
FIGURE at the edge of frame, standing on the wall surveying his kingdom. It is
MITHRAS, looking every inch the conqueror.
GULL (v/o, cont’d)
Our enemies have seized the Tower,
our armory, our archives, and killed many good men in the bargain.
A wind
kicks up, sending swirling snow into the air, and causing Mithras’s heavy cape
to flap around him like dark wings.
GULL (v/o, cont’d)
This is our darkest hour.
FADEOUT,
with the sound of gusting wind.
THE END OF EMPIRE
EXT. HMS TORCH
– DAY
We see a
small military steamship, HMS Torch,
chugging along the Thames outside the shadowy dome. The river is nearly choked
with broken-up ice and floating debris. A SOLDIER walks the deck carrying a
long pole with a hook on the end.
SOLDIER
Hold up, we’ve got more of ‘em.
As the
soldier stands at the railing, the camera TILTS DOWN and we can see that there
are BODIES floating down the Thames with the ice and debris. The soldier begins
using his hook to drag them closer, so they might be brought aboard.
SOLDIER (cont’d)
Bloody vampires…
As he snags
the collar of a female corpse floating atop a large piece of wood – possibly a
floating desk – we see MOVEMENT. The “corpse” suddenly reaches out and grabs
the hook. She looks up – it is LUCY PELHAM, The Slayer. Her clothes are torn
and her skin is nearly blue from the cold, but she is very much alive.
SOLDIER (cont’d, frantic)
Sweet Jaysus. ALL STOP! Bloody hell,
we got a live ‘un!
EXT. WHITE
TOWER – NGHT
We see a
man walking across the snow-covered courtyard of the Tower of London toward the
White Tower. He is clutching his arms tightly against himself, shivering, but
he LEAVES NO FOOTPRINTS behind him. His voice echoes out across the courtyard,
where there is no other living thing moving.
MAN (calling)
Hello? Hello, is anyone there?
We see a
SHADOWY FIGURE step into the frame in the foreground.
FIGURE
Doctor Gladwell, I presume.
The man
turns. It is indeed BERNARD GLADWELL.
BERNARD
You…!
INT. RUINED
PUB – NIGHT
MUDLARK has
BLACK PETER spread out on his back on top of the bar. He holds a knife to the
evil faerie gangster’s throat.
MUDLARK
We have a contract, my ducky, and
you’re going to do exactly what I
tell you.
BLACK PETER (pathetic)
You can’t… they’ll tear me apart.
MUDLARK
Will they, now? Then you have a
decision to make. Torn apart by the Unseelies later…
MUDLARK
presses the knife to his throat. A trickle of black blood seeps from a cut in
Black Peter’s neck. He recoils.
MUDLARK (cont’d)
…or we can just get down to business
right now. What do you say?
THEIR FINEST HOUR
INT. TENT –
DAY
We see
MATTHIAS VON HESS standing next to the flickering ASTRAL FORM of GULL in a
makeshift “war room”. There are elaborate maps and charts set up around the
room.
GULL
Von Hess, you can’t be serious. An
attack would be suicide. Mithras has destroyed the Corps, sabotaged our
capacity for large-scale spellcasting, and he has the largest army of vampires
ever assembled…
The camera
zooms in on him as Matthias smiles.
MATTHIAS
An army? Well, mein herr, this is
your lucky day. I also happen to have
an army.
QUICK CUT
TO
dozens of
WEREWOLF KNIGHTS all transforming and rushing at the camera.
EXT. PALACE
OF WESTMINSTER – NIGHT
The camera
pans across the roof of the burning Palace of Westminster. MITHRAS is there,
standing on the edge of the roof. His red cloak snaps in the breeze. LUCY approaches
– she is carrying a sword, and it gleams in the firelight. MITHRAS smiles. He
raises his own broadsword in salute.
MITHRAS
Miss Pelham. At last.
CUT TO
BLACK.
GOD SAVE THE QUEEN
MAY 2013
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